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by consejeria del
Gobierno de Aragon, Con la ayuda del Ministerio de Cultura ICAA
Irrationality: A Site to Be
Holed, by Tara Carreon
You Enjoyed Making Me Ugly, Luis!,
by Tara Carreon
Founder of Opus Dei Gets His Day --
Controversial Leader Declared a Saint Today, by Carol Eisenberg
How Opus Dei is Cult-Like, by
Sharon Clasen
Matt's Opus Dei FAQ, by Matthew G.
Collins
Who Reaps the Windfalls of War, by
Fokus Team
15 Footnotes Upon the Moustache
of Bunuel -- Episodes of Luis, by Don Harrison
Report of the Grand Jury Into
Sexual Abuse of Minors by Clergy in the Philadelphia Archdiocese
The Black Mass, by SatansHeaven.com
The Religious Affiliation of
Director Luis Bunuel, by adherents.com
The Age of Gold, directed by Luis Bunuel
The Discreet Charm of the Bourgeoisie,
Directed by Luis Bunuel
The Milky Way,
directed by Luis Bunuel
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"My
son, heretofore you have been taught to act the dissembler: among Roman
Catholics to be a Roman Catholic, and to be a spy even among your own
brethren; to believe no man, to trust no man. Among the Reformers, to be
a reformer; among the Huguenots, to be a Huguenot; among the Calvinists,
to be a Calvinist; among other Protestants, generally to be a
Protestant, and obtaining their confidence, to seek even to preach from
their pulpits, and to denounce with all the vehemence in your nature our
Holy Religion and the Pope; and even to descend so low as to become a
Jew among Jews, that you might be enabled to gather together all
information for the benefit of your Order as a faithful soldier of the
Pope." -- The Terrorist Oath of
the Jesuits, Congressional Record, House Bill 1523, Eugene C. Bonniwell
vs. Thos. S. Butler |
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"Donkeys and ducks are
placed everywhere in Opus Dei houses as a reminder of the
Founder, because he said that numeraries should work hard
like a donkey at the working wheel and should also be noisy
to recruit people like the duck.
"How Opus Dei is
Cult-Like," by Sharon Clasen |
BUNUEL IS A FASCIST MOTHERFUCKING
CATHOLIC LIAR!
QUESTION: HOW MANY MEMBERS OF OPUS DEI ARE NOT ON THE OFFICIAL
ROLES?
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"Supernumeraries are the
third type of member. These are the least available to Opus
Dei. Supernumeraries may be married or unmarried. They live
wherever they want. Most of the members are supernumeraries,
and it is they who carry out the real apostolate in Opus
Dei. It is in the supernumeraries that "the rubber hits the
road," so to speak, because, as St. Josemaría used to say,
the real apostolate of Opus Dei isn't the schools, the
hospitals, etc. The real apostolate of Opus Dei is the
apostolate carried out by its members among their
colleagues, their friends, and their families.
A cooperator is ...
someone who, while not being a member of the Work, would
like to cooperate with Opus Dei in its apostolic activities.
Anyone who believes what Opus Dei is trying to do is
worthwhile may be a cooperator, including non-Catholics,
non-Christians, and even those who don't believe in God.
Most cooperators never become members.
It is the explicit
desire in Opus Dei to help people of all social classes and
conditions, especially intellectuals and those at the top of
their professions, to accept the teachings of Christ and to
sanctify their work so that they may influence civil society
according to the will of God. Thus, you will find centers of
Opus Dei close to many of the best colleges and
universities, and many of Opus Dei's corporate works of
apostolate are schools and colleges." --
Matt's Opus Dei FAQ, by
Matthew G. Collins |
"Bunuel wanted to
rebel against the dogmatic structures of the Church that said, 'There is
no salvation or grace outside the Church.' He wanted a kind of
Protestant surrealism in which grace was directly attainable like in 'Nazarin' or
'Viridiana.'" -- Carlos Fuentes
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"The specific pastoral
mission of Opus Dei is to spread knowledge of the universal call
to holiness and to offer its members and others who wish to take
part in its activities the assistance they need to become saints
in the middle of the world according to Opus Dei's spirit and
practice.
One of the specific
characteristics of Opus Dei is its emphasis on one's work,
whatever it is, as a means of sanctification. We are encouraged
to see all the circumstances and events of our lives as
opportunities to grow in love for the Lord and to serve the
Church.
Opus Dei teaches that
holiness is not only for priests and nuns. It is the obligation
of all Christians to seek holiness. And for lay Christians, we
have to seek it right where we are, in the ordinary
circumstances of our lives. We don't seek holiness despite the
activities of our ordinary life as lay people, but precisely
through those activities. The "stuff" that goes into being a lay
person is the very "stuff" that can make us holy. "
--
Matt's Opus Dei FAQ, by
Matthew G. Collins |
"All of the
Christian lives of the saints is completely surreal. All miracles are
surreal. You lose a leg, and it grows back ..." --
Carlos Saura
"The greatest
surrealism isn't French. Surrealism was born in France, but was only
theory. Born in rationalism, it's a Cartesian surrealism, and that's a
paradox, right? But the great surrealist artists, like Max Ernst in
Germany and Bunuel in Spain, go to their cultural roots and from there
extract the surrealist worldview. Bunuel is a modern surrealist, but he
has behind him Goya, Valle Inclan, Cervantes, the picaresque, St. John
of the Cross, and all that extraordinary Spanish culture that feeds
him." --
Carlos Fuentes
EVERYTHING BUNUEL DID IS CONSISTENT WITH DEVIANT PRIEST BEHAVIOR AND
BLACK MASS PROTOCOL, I.E., MAKING A HORROR OUT OF CHRISTIAN RITUAL AND
COMMITTING BRUTAL CRIMES AGAINST WOMEN AND CHILDREN. SINCE WHEN IS DEPICTING JESUS
AS THE MARQUIS DE SADE, OR CREATING A LAST SUPPER OF BEGGARS AND
CRIPPLES RATIONAL OR FAIR? NOT TO MENTION KILLING WOMEN AT EVERY TURN
AND HANGING THEIR SCALPS FROM CROSSES.
THIS IS NOT AN INTELLIGENT CRITIQUE
OF THE CHURCH, AND IT IS NOT ATHEISM, IT IS SATANISM,
NIHILISM, MISOGYNY AND MURDER. IT
CUTS AGAINST ALL HUMANITY. THERE IS LITTLE DOUBT THAT BUNUEL WAS FRIENDS WITH PRIESTS LIKE THE ONES BEHIND THE
CATHOLIC PEDOPHILE SCANDALS.
HE WAS A PERVERT DEATH CULTIST EXTRAORDINAIRE!
SKULL & BONES ALL THE WAY. ALL YOU BUNUEL LOVERS GO
TO HELL! EVERY INTELLIGENT PERSON SPIT ON BUNUEL'S GRAVE. THE GUY
WAS A PIG,
PIG, PIG! CASE DISMISSED!
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"His Sadeian taste for
the apocalypytic was tickled by the vision of an omnipotent
power visiting death on mankind
like a farmer spraying insecticide on locusts." --
"The Religious
Affiliation of Director Luis Bunuel," by adherents.com
"Another thing before I die, the will. I'll die, and ten
days later the lawyer will call my sons and Jeanne for the
will. My immense fortune is in the will. The lawyer will
call them, those named are Dona Juana Bunuel, Jose Luis,
Rafael ... We can't start because Mr. Nelson Rockefeller
said he'd be here at 12:00. And so Nelson comes and
the will is read: 'I leave my fortune [to Nelson] and leave
my family penniless." So I die and my corpse is spat on by
my friends, my wife, my kids ... An ugly way to scorn
humanity, dying spat on by all my friends."
Luis Bunuel
"I'd like to be able to rise from the dead every ten years,
walk to a newsstand, and buy a few newspapers. I wouldn't ask for
anything more. With my papers under my arm, pale, brushing against
the walls, I'd return to the cemetery and read about the world's
disasters before going back to sleep satisfied, in the calming refuge of
the grave." -- Luis Bunuel |
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"What can be revealed
from Jeanne's memoirs, entitled Memories of a Woman without
a Piano, is that Buñuel was a secret tyrant whose public
face of antibourgeois anarchism concealed a domestic life of
bourgeois regulation and sadistic authoritarianism." --
lib.berkeley.edu
***
"His wife's memoirs
Mujer sin piano (Woman without a Piano), written to fill out
Buñuel's own, in which she and her children are mentioned
hardly at all, reads like the remembrances of a
Stockholm-syndrome afflicted captive. Jeanne Rucar, who met
Buñuel in 1926 and married him in 1934, tries to tell a love
story. but the pain and losses he inflicted on her,
including that of her beloved piano, to a bet made by Luis
without her consent, constantly shine through." -- "Luis
Bunuel," by Dominique Russell
***
"As far as I know, the
story between Jeanne and Bunuel was a fantastic love story
from the very beginning. A long one. Maybe Jeanne says now
[Woman Without a Piano], half seriously, half jokingly, that
he was brutal, but she would never have said the same when
he was alive." -- Jean-Claude Carriere
***
"Love is a secret
ceremony to be celebrated
underground." --
Luis Bunuel |
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"He
is a deeply Christian man who hates God as only a Christian
can and, of course, he's very Spanish. I see him as the most
supremely religious director in the history of the movies."
-- Orson Welles |
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"Now, by way of
background for what will come next, the Blues have
attacked simultaneously on two seemingly obscure fronts.
The first is the little Bosnian village of Siroki Brijeg,
where there is a profane shrine manned day and night by
Franciscan monks disloyal to the Vatican.
The foul sacrifices made on the altars
there are not to the Christian God, but to the false
Gospa, the so-called mother Goddess, also known through
the ages as Astarte, Astaroth, Ishtar, and Sophia. It is
this secret pagan shrine that fuels the delusions that
wrack innocent pilgrims at nearby Medjugorje. What the
ceremonies there consist of one may only speculate, but
descriptions of the black mass are fairly consistent.
The second point of attack targets one specific noble
family: the Portuguese Royal family of Braganca. False
bishop Pavel Maria Hnilica supervises both operations.
Hnilica, of course, is best known for his involvement in
the Roberto Calvi case in which one of the Blues' own
agents was murdered before a massive plot against the
Vatican could be fully exposed.
Hnilica’s agents are
the former priest Jozo Zovko in Bosnia, and the
Englishman, Maurice Alexander, for destroying the
Braganca family. These are not simple operations. Zovko,
who takes credit for destroying Yugoslavia through the
profane Ustasha Gospa, continues to quietly do the work
of Ante Pavelic in Bosnia. The Ustasha Gospa is used to
raise multimillions of Euros every year from
unsuspecting pilgrims. This money then funds the Croat
militias and the so-called Republic of Herceg-Bosnia.
Alexander, for his
part, needed to destabilize the Knights of St. Michael,
the traditional defenders of the Portuguese royal
family, and their trusted associates Mr. Phillip Kronzer
and The Duke of Braganca`s secretary, Mr. Carlos
Evaristo. This story includes the dirty role of one
plumber, Rick Salbato, who is under the delusion that he
will be the king of Europe blessed by the Otto von
Habsburg! Hnilica used these agents to create a grand
chaos in Europe, and to try to form a new nation, so
called the “Catholic” Nation Country ... This sort of
chaos and disinformation is one factor that led to the
defeat of the recent EU constitution referendum in
France and Holland. Compared to this imaginary country
of Salbato, Germany during Hitler’s rule was a
democracy! Oh, we forgot to tell:
All of them, Hnilica, Salbato, Zovko,
Alexander, are agents of Opus Dei and members of the
Blues."
--
"Who Reaps the Windfalls of War?", by Mirko Miskovic |
Ay,
Ay, Ay! Snake & Tree Cults, by Tara Carreon
A Proposito de
Bunuel -- Screenplay
Table of
Contents:
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