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THE SLEEPER WAKES -- HARLEM RENAISSANCE STORIES BY WOMEN

BIBLIOGRAPHY

Ammons, Elizabeth. Conflicting Stories. New York: Oxford University Press, 1991.

---. "New Literary History: Edith Wharton and Jessie Redmon Fauset." College Literature 14 (1987): 207-218.

Anderson, Jervis. This Was Harlem 1900-1950. New York: Farrar Straus & Giroux, 1981.

Baker, Houston A., Jr. The Journey Back: Issues in Black Literature and Criticism. Chicago: University of Chicago Press, 1980.

---.Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.

Bell, Bernard W. The Afro-American Novel and Its Tradition. Amherst: University of Massachusetts Press, 1987.

Bone, Robert. The Negro Novel in America. New Haven: Yale University Press, 1965.

Bonner, Marita. Frye Street and Environs: The Collected Works of Marita Bonner. Boston: Beacon, 1987.

Bontemps, Arna, ed. The Harlem Renaissance Remembered. New York: Dodd, Mead & Co., 1972.

Bowen, Angela. "The Literary Tradition of Black Women." Sojourner, June 1984,20-21.

Carby, Hazel. Reconstructing Womanhood. New York: Oxford University Press, 1987.

Christian, Barbara. Black Women Novelists. Westport, Conn.: Greenwood, 1980.

Cohee, Gail and Leslie Lewis. Sisters of the Harlem Renaissance: A Photographic Postcard Series. Bloomington: Helaine Victoria, 1991.

Cullen, Countee. My Soul's High Song. Ed. Gerald Early. New York: Anchor, 1991.

Davis, Arthur P. From the Dark Tower: Afro-American Writers 1900-1960. Washington, D.C.: Howard University Press, 1981.

Draper, Muriel. Music at Midnight. New York: Harper & Row, 1929. 273

Dunbar-Nelson, Alice. The Goodness of St. Rocque and Other Stories. New York: Dodd, Mead, & Co., 1899.

---. Violets and Other Tales. Boston: Monthly Review, 1895.

Fabre, Michel. From Harlem to Paris: Black American Writers in France, 1840-1980. Urbana: University of Illinois Press, 1991.

Fauset, Jessie Redmon. The Chinaberry Tree. New York: Frederick A. Stokes, 1931.

--. Comedy American Style. College Park, Md.: McGrath, 1969.

---. Plum Bun: A Novel without a Moral. Boston: Beacon, 1990.

---. There Is Confusion. Boston: Northeastern University Press, 1989.

Feeney, Joseph J. "Black Childhood as Ironic: A Nursery Rhyme Transformed 'in Jessie Fauser's Novel Plum Bun." Minority Voices 4 (1980): 65-69. Ferguson, Sally Ann. "Dorothy West and Helen Johnson in Infants of the Spring." Langston Hughes Review 2 (1983): 22-24.

Fisher, Rudolph. The walls of Jericho. New York: Arno, 1969.

Gates, Henry Louis Jr., ed. Reading Black, Reading Feminist. New York: Penguin, 1990.

Giddings, Paula. When and Where I Enter: The Impact of Black Women on Race and Sex in America. New York: William Morrow & Co., 1984.

Grimke, Angelina Weld. Rachel: A Play in Three Acts. College Park, Md.: McGrath, 1969.

Hemenway, Robert. Zora Neale Hurston: A Literary Biography. Urbana: University of Illinois Press, 1977.

Hernton, Calvin C. The Sexual Mountain and Black Women Writers. New York: Anchor, 1990.

Honey, Maureen., ed. Shadowed Dreams. New Brunswick, N.].: Rutgers University Press, 1989.

Huggins, Nathan Irvin. Harlem Renaissance. New York: Oxford University Press, 1971.

Hughes, Langston. The Best of Simple. New York: Hill and Wang, 1961.

---. The Big Sea. New York: Thunder's Mouth, 1940.

---. Five Plays By Langston Hughes. Bloomington: Indiana University Press, 1968.

---. I Wonder as I wander. New York: Thunder's Mouth, 1940.

---. The Selected Poems of Langston Hughes. New York: Vintage, 1990.

--. The ways of White Folks. New York: Vintage, 1990.

Hughes, Langston and Zora Neale Hurston. Mule Bone: A Comedy of Negro Lift. New York: HarperCollins, 1991.

Hull, Gloria T. Color, Sex, and Poetry. Bloomington: Indiana University Press, 1987.

---. "Shaping Contradictions: Alice Dunbar-Nelson and the Black Creole Experience." New Orleans Review 15 (1988): 34-37.

---, ed. Give Us Each Day: The Diary of Alice Dunbar-Nelson. New York: W. W Norton, 1984.

Hurston, Zora Neale. Dust Tracks on A Road. New York: HarperCollins, 1991.

---.Jonah's Gourd Vine. New York: HarperCollins, 1990.

---. Mules and Men. New York: HarperCollins, 1990.

---. Sanctified Church: Folklore Writings of Zora Neale Hurston. Berkeley, Calif.: Turtle Island Foundation, 1981.

---. Seraph on the Suwanee. New York: HarperCollins, 1991.

---. Spunk: The Selected Short Stories of Zora Neale Hurston. Berkeley, Calif.: Turtle Island Foundation, 1985.

--. Tell My Horse. New York: HarperCollins, 1990.

---. Their Eyes Were Watching God. New York: HarperCollins, 1990.

Ikonne, Chidi. From DuBois to Van Vechten: The Early Negro Literature, 1903-1926. Westport, Conn.: Greenwood, 1981

Jenkins, Wilbert. "Jessie Fauset: A Modern Apostle of Black Racial Pride." Zora Neale Hurston Forum 1 (1986): 14-24.

Johnson, James Weldon. Along This Way. New York: Penguin, 1990.

--.Autobiography of an Ex-Coloured Man. New York: Penguin, 1990. Kellner, Bruce. Carl Van Vechten and the Irreverent Decades. Norman: University of Oklahoma Press, 1968.

---, ed. The Harlem Renaissance: A Historical Dictionary for the Era. New York: Methuen, 1987.

---. Letters of Carl Van Vechten. New Haven: Yale University Press, 1987.

Kinney, James. Amalgamation' Westport, Conn.: Greenwood, 1985.

Kramer, Victor A., ed. The Harlem Renaissance Re-Examined. New York: AMS, 1987.

Larsen, Nella. Quicksand and Passing. Ed. by Deborah E. McDowell. New Brunswick, N.J.: Rutgers University Press, 1989.

Lewis, David Levering. When Harlem Was in Vogue. New York: Oxford University Press, 1979.

Locke, Alain., ed. The New Negro. New York: Atheneum, 1968.

Lupton, Mary Jane. "Bad Blood in Jersey: Jessie Fauset's The Chinaberry Tree." College Language Association Journal 27 (1984): 383-392.

---. "Black Women and Survival in Comedy American Style and Their Eyes Were Watching God." Zora Neale Hurston Forum 1 (1986): 38-44.

---. "Clothes and Closure in Three Novels by Black Women." Black American Literature Forum 20 (1986): 409-421.

McKay, Claude. Home to Harlem. Boston: Northeastern University Press, 1987.

---.A Long Way from Home. New York: Harcourt, Brace Jovanovich, 1970.

McKay, Nellie. Jean Toomer, Artist. Chapel Hill: University of North Carolina Press, 1984.

Osofsky, Gilbert. Harlem: The Making of a Ghetto. New York: HarperCollins, 1963.

Ovington, Mary White. Portraits in Color. New York: Viking, 1927.

---. The Walls Came Tumbling Down. New York: Harcourt, Brace, 1947.

Perkins, Kathy A., ed. Black Female Playwrights: An Anthology of Plays before 1950. Bloomington: Indiana University Press, 1990.

Perry, Margaret. Silence to the Drums: A Survey of the Literature of the Harlem Renaissance. Westport, Conn.: Greenwood, 1976.

Pryse, Marjorie and Hortense J. Spillers, eds. Conjuring: Black Women, Fiction, and Literary Tradition. Bloomington: Indiana University Press, 1985.

Ramsey, Priscilla. "Freeze the Day: A Feminist Reading of Nella Larsen's Quicksand and Passing." Afro-Americans in New York Life and History 9 (1985): 27-41.

--. "A Study of Black Identity in Passing Novels of the 19th and Early 20th Century." Studies in Black Literature 7 (1976): 1- 7.

Roses; Lorraine Elena and Ruth Elizabeth Randolph. "Marita Bonner: In Search of Other Mothers' Gardens." Black American Literature Forum 21 (1987): 165-183.

Russell, Sandi. Render Me My Song. New York: St. Martin's, 1990.

Schockley, Ann Allen. Afro-American Women Writers 1746-1933. New York: Penguin, 1988.

Schuyler, George. Black No More. Boston: Northeastern University Press, 1989.

Scott, Bonnie Kime, ed. The Gender of Modernism. Bloomington: Indiana University Press, 1990.

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Thorton, Hortense. "Sexism as Quagmire: Nella Larsen's Quicksand." College Language Association Journal 16 (1973): 285- 291.

Thurman, Wallace. The Blacker the Berry . ... New York: MacMillan, 1970.

---. Infants of Spring. Boston: Northeastern University Press, 1992.

Toomer, Jean. Cane. New York: W.W. Norton, 1975.

Van Vechten, Carl. Nigger Heaven. New York: Alfred A. Knopf, 1926. Walker, Alice, ed. I Love Myself When I Am Laughing . .. And Then Again When I Am Looking Mean and Impressive. New York: Feminist, 1979.

Wall, Cheryl A. "Passing for What? Aspects of Identity in Nella Larsen's Novels." Black American Literature Forum 20 (1986): 97-111.

Washington, Mary Helen. Invented Lives: Narratives of Black Women 1860-1960. New York: Anchor, 1987.

---. "I Sign My Mother's Name." Mothering The Mind: Twelve Studies of Writers and Their Silent Partners. Ed. by Ruth Perry and Martine Watson Brownley. New York: Holmes & Meier, 1984.

---. "Nella Larsen: Mystery Woman of the Harlem Renaissance." Ms., December 1987, 44-50.

West, Dorothy. The Living Is Easy. New York: Feminist, 1982.

---. "The Living Was Easy: A Memoir by Dorothy West." Boston Review, August 1983, 7-10.

Wintz, Cary D. Black Culture and the Harlem Renaissance. Houston: Rice University Press, 1988.

Youman, Mary. "Nella Larsen's Passing: A Study in Irony." College Language Association Journal 18 (1974): 235-241.

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