FLOW MY TEARS, THE POLICEMAN SAID

Chapter 3

As the clerk drove his old-time quibble slowly and noisily down the street he said casually to Jason, seated beside him, "I'm picking up a lot of odd material in your mind."

"Get out of my mind," Jason said brusquely, with aversion. He had always disliked the prying, curiosity-driven telepaths, and this time was no exception. "Get out of my mind," he said, "and get me to the person who's going to help me. And don't run into any pol-nat barricades. If you expect to live through this."

The clerk said mildly, "You don't have to tell me that; I know what would happen to you if we got stopped. I've done this before, many times. For students. But you're not a student. You're a famous man and you're rich. But at the same time you aren't. At the same time you're a nobody. You don't even exist, legally speaking." He laughed a thin, effete laugh, his eyes fixed on the traffic ahead of him. He drove like an old woman, Jason noted. Both hands fixedly hanging on to the steering wheel.

Now they had entered the slums of Watts proper. Tiny dark stores on each side of the cluttered streets, overflowing ashcans, the pavement littered with pieces of broken bottles, drab painted signs that advertised Coca-Cola in big letters and the name of the store in small. At an intersection an elderly black man haltingly crossed, feeling his way along as if blind with age. Seeing him, Jason felt an odd emotion. There were so few blacks alive, now, because of Tidman's notorious sterilization bill passed by Congress back in the terrible days of the Insurrection. The clerk carefully slowed his rattly quibble to a stop so as not to harass the elderly black man in his rumpled, seam-torn brown suit. Obviously he felt it, too.

"Do you realize," the clerk said to Jason, "that if I hit him with my car it would mean the death penalty for me?"

"It should," Jason said.

"They're like the last flock of whooping cranes," the clerk said, starting forward now that the old black had reached the far side. "Protected by a thousand laws. You can't jeer at them; you can't get into a fistfight with one without risking a felony rap - ten years in prison. Yet we're making them die out - that's what Tidman wanted and I guess what the majority of Silencers wanted, but" - he gestured, for the first time taking a hand off the wheel - "I miss the kids. I remember when I was ten and I had a black boy to play with ... not far from here as a matter of fact. He's undoubtedly sterilized by now."

"But then he's had one child," Jason pointed out. "His wife had to surrender their birth coupon when their first and only child came ... but they've got that child. The law lets them have it. And there're a million statutes protecting their safety."

"Two adults, one child," the clerk said. "So the black population is halved every generation. Ingenious. You have to hand it to Tidman; he solved the race problem, all right."

"Something had to be done," Jason said; he sat rigidly in his seat, studying the street ahead, searching for a sign of a pol-nat checkpoint or barricade. He saw neither, but how long were they going to have to continue driving?

"We're almost there," the clerk said calmly. He turned his head momentarily to face Jason. "I don't like your racist views," he said.  "Even if you are paying me five hundred dollars."

"There're enough blacks alive to suit me," Jason said.

"And when the last one dies?"

Jason said, "You can read my mind; I don't have to tell you."

"Christ," the clerk said, and returned his attention to the street traffic ahead.

They made a sharp right turn, down a narrow alley, at both sides of which closed, locked wooden doors could be seen. No signs here. Just shut-up silence. And piles of ancient debris.

"What's behind the doors?" Jason asked.

"People like you. People who can't come out into the open. But they're different from you in one way: they don't have five hundred dollars ... and a lot more besides, if I read you correctly."

"It's going to cost me plenty," Jason said acidly, "to get my ID cards. Probably all I've got."

"She won't overcharge you," the clerk said as he brought his quibble to a halt half on the sidewalk of the alley. Jason peered out, saw an abandoned restaurant, boarded up, with broken windows. Entirely dark inside. It repelled him, but apparently this was the place. He'd have to go along with it, his need being what it was: he could not be choosy.

And - they had avoided every checkpoint and barricade along the way; the clerk had picked a good route. So he had damn little to complain about, all things considered.

Together, he and the clerk approached the open-hanging broken front door of the restaurant. Neither spoke; they concentrated on avoiding the rusted nails protruding from the sheets of plywood hammered into place, presumably to protect the windows.

"Hang on to my hand," the clerk said, extending it in the shadowy dimness that surrounded them. "I know the way and it's dark. The electricity was turned off on this block three years ago. To try to get the people to vacate the buildings here so that they could be burned down." He added, "But most of them stayed on."

The moist, cold hand of the hotel clerk led him past what appeared to be chairs and tables, heaped up into irregular tumbles of legs and surfaces, interwoven with cobwebs and grainy patterns of dirt. They bumped at last against a black, unmoving wall; there the clerk stopped, retrieved his hand, fiddled with something in the gloom.

"I can't open it," he said as he fiddled. "It can only be opened from the other side, her side. What I'm doing is signaling that we're here."

A section of the wall groaningly slid aside. Jason, peering, saw into nothing more than additional darkness. And abandonment.

"Step on through," the clerk said, and maneuvered him forward. The wall, after a pause, slid shut again behind them.

Lights winked on. Momentarily blinded, Jason shielded his eyes and then took a good look at her workshop.

It was small. But he saw a number of what appeared to be complex and highly specialized machines On the far side a workbench. Tools by the hundreds, all neatly mounted in place on the walls of the room. Below the workbench large cartons, probably containing a variety of papers. And a small generator-driven printing press.

And the girl. She sat on a high stool, hand-arranging a line of type. He made out pale hair, very long but thin, dribbling down the back of her neck onto her cotton work shirt. She wore jeans, and her feet, quite small, were bare. She appeared to him to be, at a guess, fifteen or sixteen. No breasts to speak of, but good long legs; he liked that. She wore no makeup whatsoever, giving her features a white, slightly pastel tint.

"Hi," she said.

The clerk said, "I'm going. I'II try not to spend the five hundred dollars in one place." Touching a button, he caused the section of wall to slide aside; as it did so the lights in the workroom clicked out, leaving them once again in absolute darkness.

From her stool the girl said, "I'm Kathy."

"I'm Jason," he said. The wall had slid shut. now, and the lights had come on again. She's really very pretty, he thought. Except that she had a passive, almost listless quality about her. As if nothing to her, he thought, is worth a damn. Apathy? No, he decided. She was shy; that was the explanation.

"You gave him five hundred dollars to bring you here?" Kathy said wonderingly; she surveyed him critically, as if seeking to make some kind of value judgment about him, based on his appearance.

"My suit isn't usually this rumpled," Jason said.

"It's a nice suit. Silk?"

"Yes." He nodded.

"Are you a student?" Kathy asked, still scrutinizing him. "No, you're not; you don't have that pulpy pasty color they have, from living subsurface. Well, that leaves only one other possibility."

"That I'm a criminal," Jason said. "Trying to change my identity before pols and nats get me."

"Are you?" she said, with no sign of uneasiness. It was a simple, flat question.

"No." He did not amplify, not at that moment. Perhaps later.

Kathy said, "Do you think a lot of those nats are robots and not real people? They always have those gas masks on so you can't really tell."

"I'm content just to dislike them," Jason said.  "Without looking into it any further."

"What ID do you need? Driver's license? Police-file ident card? Proof of employment at a legal job?"

He said, "Everything. Including membership tab in the Musicians Union Local Twelve."

"Oh, you're a musician." She regarded him with more interest, now.

"I'm a vocalist," he said. "I host an hour-long TV variety show Tuesday night at nine. Maybe you've seen it. The Jason Taverner Show."

"I don't own a TV set any more," the girl said. "So I guess I wouldn't recognize you. Is it fun to do?"

"Sometimes. You meet a lot of show-biz people and that's fine if that's what you like. I've found them mostly to be people like anybody else. They have their fears. They're not perfect. Some of them are very funny, both on and off camera."

"My husband always used to tell me I have no sense of humor," the girl said. "He thought everything was funny. He even thought it was funny when he was drafted into the nats."

"Did he still laugh by the time he got out?" Jason asked.

"He never did. He was killed in a surprise attack by students. But it wasn't their fault; he was shot by a fellow nat."

Jason said, "How much is it going to cost me to get my full set of ID? You better tell me now before you start on them."

"I charge people what they can afford," Kathy said, once more setting up her line of type. "I'm going to charge you a lot because I can tell you're rich, by the way you gave Eddy five hundred dollars to get you here, and by your suit. Okay?" Briefly she glanced in his direction. "Or am I wrong? Tell me."

"I have five thousand dollars on me," Jason said. "Or, rather, less five hundred. I'm a world- famous entertainer; I work a month every year at the Sands in addition to my show. In fact, I appear at a number of first-class clubs, when I can squeeze them into my tight schedule."

"Gee," Kathy said. "I wish I had heard of you; then I could be impressed."

He laughed.

"Did I say something stupid?" Kathy asked timidly.

"No," Jason said. "Kathy, how old are you?"

"I'm nineteen. My birthday is in December, so I'm almost twenty. How old did you think I am by looking at me?"

"About sixteen," he said.

Her mouth turned down in a childlike pout. "That's what everybody says," she said in a low voice. "It's because I don't have any bosom. If I had a bosom I'd look twenty-one. How old are you?" She stopped fiddling with her type and eyed him intently. "I'd guess about fifty."

Fury flowed through him. And misery.

"You look like your feelings are hurt," Kathy said.

"I'm forty-two," Jason said tightly.

"Well, what's the difference? I mean, they're both -"

"Let's get down to business," Jason broke in. "Give me a pen and paper and I'll write down what I want and what I want each card to say about me. I want this done exactly right. You better be good."

"I made you mad," Kathy said. "By saying you look fifty. I guess on closer examination you really don't. You look about thirty." She handed him pen and paper, smiling shyly. And apologetically.

Jason said, "Forget it." He patted her on the back.

"I'd rather people didn't touch me," Kathy said; she slid away.

Like a fawn in the woods, he thought. Strange; she's afraid to be touched even a little and yet she's not afraid to forge documents, a felony that could get her twenty years in prison. Maybe nobody bothered to tell her it's against the law. Maybe she doesn't know.

Something bright and colorful on the far wall caught his attention; he walked over to inspect it. A medieval illuminated manuscript, he realized. Or rather, a page from it. He had read about them but up until now he had never set eyes on one.

"Is this valuable?" he asked.

"If it was the real thing it might be worth a hundred dollars," Kathy said. "But it's not; I made it years ago, when I was in junior high school at North American Aviation. I copied it, the original, ten times before I had it right. I love good calligraphy; even when I was a kid I did. Maybe it's because my father designed book covers; you know, the dust jackets."

He said, "Would this fool a museum?"

For a moment Kathy gazed intently at him. And then she nodded yes.

"Wouldn't they know by the paper?"

"It's parchment and it's from that period. That's the same way you fake old stamps; you get an old stamp that's worthless, eradicate the imprint, then -" She paused. "You're anxious for me to get to work on your ID," she said.

"Yes," Jason said. He handed her the piece of paper on which he had written the information. Most of it called for pol-nat standard postcurfew tags, with thumbprints and photographs and holographic signatures, and everything with short expiration dates. He'd have to get a whole new set forged within three months.

"Two thousand dollars," Kathy said, studying the list.

He felt like saying, For that do I get to go to bed with you, too? But aloud he said, "How long will it take? Hours? Days? And if it's days, where am I -"

"Hours," Kathy said.

He experienced a vast wave of relief.

"Sit down and keep me company," Kathy said, pointing to a three-legged stool pushed off to one side. "You can tell me about your career as a successful TV personality. It must be fascinating, all the bodies you have to walk over to get to the top. Or did you get to the top?"

"Yes," he said shortly. "But there's no bodies. That's a myth. You make it on talent and talent alone, not what you do or say to other people either above or below you. And it's work; you don't breeze in and do a soft-shoe shuffle and then sign your contract with NBC or CBS. They're tough, experienced businessmen. Especially the A and R people. Artists and Repertoire. They decide who to sign. I'm talking about records now. That's where you  have to start to be on a national level; of course you can work club dates all over everywhere until -"

"Here's your quibble driver's license," Kathy said. She carefully passed him a small black card. "Now I'll get started on your military service-status chit. That's a little harder because of the full-face and profile photos, but I can handle that over there." She pointed at a white screen, in front of which stood a tripod with camera, a flash gun mounted at its side.

"You have all the equipment," Jason said as he fixed himself rigidly against the white screen; so many photos had been taken of him during his long career that he always knew exactly where to stand and what expression to reveal.

But apparently he had done something wrong this time. Kathy, a severe expression on her face, surveying him.

"You're all lit up," she said, half to herself. "You're glowing in some sort of phony way."

"Publicity stills," Jason said. "Eight-by-ten glossy -"

"These aren't. These are to keep you out of a forced-labor camp for the rest of your life. Don't smile."

He didn't.

"Good," Kathy said. She ripped the photos from the camera, carried them cautiously to her workbench, waving them to dry them. "These damn 3-D animateds they want on the military service papers - that camera cost me a thousand dollars and I need it only for this and nothing else ... but I have to have it." She eyed him. "It's going to cost you."

"Yes," he said, stonily. He felt aware of that already.

For a time Kathy puttered, and then, turning abruptly toward him, she said, "Who are you really? You're used to posing; I saw you, I saw you freeze with that glad smile in place and those lit-up eyes."

"I told you. I'm Jason Taverner. The TV personality guest host. I'm on every Tuesday night."

"No," Kathy said; she shook her head. "But it's none of my business - sorry - I shouldn't have asked." But she continued to eye him, as if with exasperation. "You're doing it all wrong. You really are a celebrity - it was reflexive, the way you posed for your picture. But you're not a celebrity. There's no one named Jason Taverner who matters, who is anything. So what are you, then? A man who has his picture taken all the time that no one's ever seen or heard of."

Jason said, "I'm going about it the way any celebrity who no one has ever heard of would go about it."

For a moment she stared at him and then she laughed. "I see. Well, that's cool; that's really cool. I'll have to remember that." She turned her attention back to the documents she was forging. "In this business," she said, absorbed in what she was doing, "I don't want to get to know people I'm making cards for. But" -she glanced up - "I'd sort of like to know you. You're strange. I've seen a lot of types - hundreds, maybe - but none like you. Do you know what I think?"

"You think I'm insane," Jason said.

"Yes." Kathy nodded. "Clinically, legally, whatever. You're psychotic; you have a split personality. Mr. No One and Mr. Everyone. How have you survived up until now?"

He said nothing. It could not be explained.

"Okay," Kathy said. One by one, expertly and efficiently, she forged the necessary documents.

Eddy, the hotel clerk, lurked in the background, smoking a fake Havana cigar; he had nothing to say or do, but for some obscure reason he hung around. I wish he'd fuck off, Jason thought to himself. I'd like to talk to her more ...

"Come with me," Kathy said, suddenly; she slid from her work stool and beckoned him toward a wooden door at the right of her bench. "I want your signature five times, each a little different from the others so they can't be superimposed. That's where so many documenters" - she smiled as she opened the door - "that's what we call ourselves - that's where so many of us fuck it up. They take one signature and transfer it to all the documents. See?"

"Yes," he said, entering the musty little closetlike room after her .

Kathy shut the door, paused a moment, then said, "Eddy is a police fink."

Staring at her he said, "Why?"

"Why?' Why what? Why is he a police fink? For money. For the same reason I am."

Jason said, "God damn you." He grabbed her by the right wrist, tugged her toward him; she grimaced as his fingers tightened. " And he's already -"

"Eddy hasn't done anything yet," she grated, trying to free her wrist. "That hurts. Look; calm down and I'll show you.  Okay?"

Reluctantly, his heart hammering in fear, he let her go. Kathy turned on a bright, small light, laid three forged documents in the circle of its glare. "A purple dot on the margin of each," she said, indicating the almost invisible circle of color." A microtransmitter, so you'll emit a bleep every five seconds as you move around. They're after conspiracies; they want the people you're with."

Jason said harshly, "I'm not with anyone."

"But they don't know that." She massaged her wrist, frowning in a girlish, sullen way. "You TV celebrities no one's ever heard of sure have quick reactions," she murmured.

"Why did you tell me?" Jason asked. " After doing all the forging, all the -"

"I want you to get away," she said, simply.

"Why?" He still did not understand.

"Because hell, you've got some sort of magnetic quality about you; I noticed it as soon as you came into the room . You're" - she groped for the word - "sexy. Even at your age."

"My presence," he said.

"Yes." Kathy nodded. "I've seen it before in public people, from a distance, but never up close like this. I can see why you imagine you're a TV personality; you really seem like you are."

He said, "How do I get away? Are you going to tell me that? Or does that cost a little more?"

"God, you're so cynical."

He laughed, and again took hold of her by the wrist.

"I guess I don't blame you," Kathy said, shaking her head and making a masklike face. "Well, first of all, you can buy Eddy off. Another five hundred should do it. Me you don't have to buy off-if, and only if, and I mean it, if you stay with me awhile. You have ... allure, like a good perfume. I respond to you and I just never do that with men."

"With women, then?" he said tartly.

It passed her without registering. "Will you?" she said.

"Hell," he said, "I'll just leave." Reaching, he opened the door behind her, shoved past her and out into her workroom. She followed, rapidly.

Among the dim, empty shadows of the abandoned restaurant she caught up with him; she confronted him in the gloom. Panting, she said, "You've already got a transmitter planted on you."

"I doubt it," he answered.

"It's true. Eddy planted it on you."

"Bullshit," he said, and moved away from her toward the light of the restaurant's sagging, broken front door.

Pursuing him like a deft-footed herbivore, Kathy gasped, "But suppose it's true. It could be." At the half-available doorway she interposed herself between him and freedom; standing there, her hands lifted as if to ward off a physical blow, she said swiftly, "Stay with me one night. Go to bed with me. Okay? That's enough. I promise. Will you do it, for just one night?"

He thought, something of my abilities, my alleged and well-known properties, have come with me, to this strange place I now live in. This place where I do not exist except on forged cards manufactured by a pol fink. Eerie, he thought, and he shuddered. Cards with microtransmitters built into them, to betray me and everyone with me to the pols. I haven't done very well here. Except that, as she says, I've got allure. Jesus, he thought. And that's all that stands between me and a forced-labor camp.

"Okay," he said, then. It seemed the wiser choice - by far.

"Go pay Eddy," she said. "Get that over with and him out of here."

"I wondered why he's still hanging around," Jason said. "Did he scent more money?"

"I guess so," Kathy said.

"You do this all the time ," Jason said as he got out his money. SOP: standard operating procedure. And he had tumbled for it.

Kathy said blithely, "Eddy is psionic."

Go to Next Page