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PART ONE:
Flow my
tears, fall from your springs!
Exiled forever let me mourn;
Where night's black bird her sad infamy sings,
There let me live forlorn.
Chapter 1:
On Tuesday,
October 11, 1988, the Jason Taverner Show ran thirty seconds short.
A technician, watching through the plastic bubble of the control dome,
froze the final credit on the video section, then pointed to Jason
Taverner, who had started to leave the stage. The technician tapped his
wrist, pointed to his mouth.
Into the
boom mike Jason said smoothly, "Keep all those cards and V-letters coming
in, folks. And stay tuned now for The Adventures of Scotty, Dog
Extraordinary."
The
technician smiled; Jason smiled back, and then both the audio and the
video clicked off. Their hour-long music and variety program, which held
the second highest rating among the year's best TV shows, had come to an
end. And it had all gone well.
"Where'd we
lose half a minute?" Jason said to his special guest star of the evening,
Heather Hart. It puzzled him. He liked to time his own shows.
Heather Hart
said, "Baby bunting, it's all right." She put her cool hand across his
slightly moist forehead, rubbed the perimeter of his sand-colored hair
affectionately.
"Do you
realize what power you have?" AI Bliss, their business agent, said to
Jason, coming up close - too close as always - to him. "Thirty million
people saw you zip up your fly tonight. That's a record of sorts."
"I zip up my
fly every week," Jason said. "It's my trademark. Or don't you catch the
show?"
"But thirty
million," Bliss said, his round, florid face spotted with drops of
perspiration. "Think of it. And then there's the residuals."
Jason said
crisply, "I'll be dead before the residuals on this show payoff.Thank
God."
"You'll
probably be dead tonight," Heather said, "with all those fans of yours
packed in outside there. Just waiting to rip you into little tiny squares
like so many postage stamps."
"Some of
them are your fans, Miss Hart," AI Bliss said, in his doglike panting
voice.
"God damn
them," Heather said harshly. "Why don't they go away? Aren't they breaking
some law, loitering or something?"
Jason took
hold of her hand and squeezed it forcefully, attracting her frowning
attention. He had never understood her dislike for fans; to him they were
the lifeblood of his public existence. And to him his public existence,
his role as worldwide entertainer, was existence itself, period. "You
shouldn't be an entertainer," he said to Heather, "feeling the way you do.
Get out of the business. Become a social worker in a forced-labor camp."
"There're
people there, too," Heather said grimly.
Two special
police guards shouldered their way up to Jason Taverner and Heather.
"We've got the corridor as clear as we're going to get it," the fatter of
the two cops wheezed. "Let's go now, Mr. Taverner. Before the studio
audience can trickle around to the side exits." He signaled to three other
special police guards, who at once advanced toward the hot, packed
passageway that led, eventually, to the nocturnal street. And out there
the parked Rolls flyship in all its costly splendor, its tail rocket
idling throbbingly. Like, Jason thought, a mechanical heart. A heart that
beat for him alone, for him the star. Well, by extension, it throbbed in
response to the needs of Heather, too.
She deserved
it: she had sung well, tonight. Almost as well as - Jason grinned
inwardly, to himself. Hell, let's face it, he thought. They don't turn on
all those 3-D color TV sets to see the special guest star. There are a
thousand special guest stars scattered over the surface of earth, and a
few in the Martian colonies.
They turn
on, he thought, to see me. And I am always there. Jason Taverner has never
and will never disappoint his fans. However Heather may feel about hers.
"You don't
like them," Jason said as they squirmed and pushed and ducked their way
down the steaming, sweat- smelling corridor, "because you don't like
yourself. You secretly think they have bad taste."
"They're
dumb," Heather grunted, and cursed quietly as her flat, large hat flopped
from her head and disappeared forever within the whale's belly of
close-pressing fans.
"They're
ordinaries," Jason said, his lips at her ear, partly lost as it was in her
great tangle of shiny red hair. The famous cascade of hair so widely and
expertly copied in beauty salons throughout Terra.
Heather
grated, "Don't say that word."
"They're
ordinaries," Jason said, "and they're morons. Because" - he nipped the
lobe of her ear - "because that's what it means to be an ordinary. Right?"
She sighed.
"Oh, God, to be in the flyship cruising through the void. That's what I
long for: an infinite void. With no human voices, no human smells, no
human jaws masticating plastic chewing gum in nine iridescent colors. "
"You really
do hate them," he said.
"Yes." She
nodded briskly. "And so do you." She halted briefly, turning her head to
confront him. "You know your goddamn voice is gone; you know you're
coasting on your glory days, which you'll never see again." She smiled at
him, then. Warmly. " Are we growing old?" she said, above the mumbles and
squeaks of the fans. "Together? Like man and wife?"
Jason said,
"Sixes don't grow old."
"Oh yes,"
Heather said. "Oh yes they do." Reaching up ward, she touched his wavy
brown hair. "How long have you been tinting it, dearheart? A year? Three?"
"Get in the
flyship," he said brusquely, maneuvering her ahead of him, out of the
building and onto the pavement of Hollywood Boulevard.
"I'll get
in," Heather said, "if you'll sing me a high B natural. Remember when you
- "
He thrust
her bodily into the flyship, squeezed in after her, turned to help AI
Bliss close the door, and then they were up and into the rain-clouded
nighttime sky. The great gleaming sky of Los Angeles, as bright as if it
were high noon. And that's what it is for you and for me, he thought. For
the two of us, in all times to come. It will always be as it is now,
because we are sixes. Both of us. Whether they know it or not.
And it's
not, he thought grimly, enjoying the bleak humor of it. The knowledge
which they together had, the knowledge unshared. Because that was the way
it was meant to be. And always had ... even now after it had all turned
out so badly. Badly, at least, in the designers' eyes. The great pundits
who had guessed and guessed wrong. Forty-five beautiful years ago, when
the world was young and droplets of rain still clung to the now-gone
Japanese cherry trees in Washington, D.C. And the smell of spring that had
hovered over the noble experiment. For a short while, anyhow.
"Let's go to
Zurich," he said aloud.
"I'm too
tired," Heather said. "Anyhow, that place bores me."
"The house?"
He was incredulous. Heather had picked it out for the two of them,
and for years there they had gotten away - away especially from the fans
that Heather hated so much.
Heather
sighed and said, "The house. The Swiss watches. The bread. The
cobblestones. The snow on the hills."
"Mountains,"
he said, feeling aggrieved still. "Well, hell," he said. "I'll go without
you."
"And pick up
someone else?"
He simply
could not understand. "Do you want me to take someone else with me?" he
demanded.
"You and
your magnetism. Your charm. You could get any girl in the world into that
big brass bed with you. Not that you're so much once you get there."
"God," he
said with disgust. "That again. Always the same old gripes. And the ones
that're fantasy - they're the ones you really hang on to."
Turning to
face him, Heather said earnestly, "You know how you look, even now at the
age you are. You're beautiful. Thirty million people ogle you an hour a
week. It's not your singing they're interested in ... it's your incurable
physical beauty."
"The same
can be said for you," he said caustically. He felt tired and he yearned
for the privacy and seclusion that lay there on the outskirts of Zurich,
silently waiting for the two of them to come back once more. And it was as
if the house wanted them to stay, not for a night or a week of nights, but
forever.
"I don't
show my age," Heather said.
He glanced
at her, then studied her. Volumes of red hair, pale skin with a few
freckles, a strong roman nose. Deep-set huge violet eyes. She was right;
she didn't show her age. Of course she never tapped into the phone-grid
transex network, as he did. But in point of fact he did so very little. So
he was not hooked, and there had not been, in his case, brain damage or
premature aging.
"You're a
goddamn beautiful-looking person," he said grudgingly.
"And you?"
Heather said.
He could not
be shaken by this. He knew that he still had his charisma, the force they
had inscribed on the chromosomes forty-two years ago. True, his hair had
become mostly gray and he did tint it. And a few wrinkles had appeared
here and there. But -
"As long as
I have my voice," he said, "I'll be okay. I'll have what I want. You're
wrong about me - it's your six aloofness, your cherished so-called
individuality. Okay, if you don't want to fly over to the house in Zurich,
where do you want to go? Your place? My place?"
"I want to
be married to you," Heather said. "So then it won't be my place versus
your place but it'll be our place. And I'll give up singing and have three
children, all of them looking like you."
"Even the
girls?"
Heather
said, "They'll all be boys. "
Leaning over
he kissed her on the nose. She smiled, took his hand, patted it warmly.
"We can go anywhere tonight," he said to her in a low, firm, controlled,
and highly projected voice, almost a father voice; it generally worked
well with Heather, whereas nothing else did. Unless, he thought, I walk
off.
She feared
that. Sometimes in their quarrels, especially at the house in Zurich,
where no one could hear them or interfere, he had seen the fear on her
face. The idea of being alone appalled her; he knew it; she knew it; the
fear was part of the reality of their joint life. Not their public life;
for them, as genuinely professional entertainers, there they had complete,
rational control: however angry and estranged they became they would
function together in the big worshiping world of viewers, letter writers,
noisy fans. Even outright hatred could not change that.
But there
could be no hate between them anyhow. They had too much in common. They
got so damn much from each other. Even mere physical contact, such as
this, sitting together in the Rolls skyfly, made them happy. For as long,
anyhow, as it lasted.
Reaching
into the inner pocket of his custom-tailored genuine silk suit - one of
perhaps ten in the whole world - he brought out a wad of
government-certified bills. A great number of them, compressed into a fat
little bundle.
"You
shouldn't carry so much cash on you," Heather said naggingly, in the tone
he disliked so much: the opinionated-mother tone .
Jason said,
"With this" - he displayed the package of bills - "we can buy our way into
any -"
"If some
unregistered student who has sneaked across from a campus burrow just last
night doesn't chop your hand off at the wrist and run away with it, both
your hand and your flashy money. You always have been flashy. Flashy and
loud. Look at your tie. Look at it!" She had raised her voice, now; she
seemed genuinely angry.
"Life is
short," Jason said. " And prosperity even shorter." But he placed the
package of bills back in his inside coat pocket, smoothed away at the lump
it created in his otherwise perfect suit. "I wanted to buy you something
with it," he said. Actually the idea had just come to him now; what he had
planned to do with the money was something a little different: he intended
to take it to Las Vegas, to the blackjack tables. As a six he could - and
did - always win at blackjack; he had the edge over everyone, even the
dealer. Even, he thought sleekly, the pit boss.
"You're
lying," Heather said. "You didn't intend to get me anything; you never do,
you're so selfish and always thinking about yourself. That's screwing
money; you're going to buy some big-chested blonde and go to bed together
with her. Probably at our place in Zurich, which, you realize, I haven't
seen for four months now. I might as well be pregnant."
It struck
him as odd that she would say that, out of all the possible retorts that
might flow up into her conscious, talking mind. But there was a good deal
about Heather that he did not understand; with him, as with her fans, she
kept many things about her private.
But, over
the years, he had learned a lot about her. He knew, for example, that in
1982 she had had an abortion, a well-kept secret, too. He knew that at one
time she had been illegally married to a student commune leader, and that
for one year she had lived in the rabbit warrens of Columbia University,
along with all the smelly, bearded students kept subsurface lifelong by
the pols and the nats. The police and the national guard, who ringed every
campus, keeping the students from creeping across to society like so many
black rats swarming out of a leaky ship.
And he knew
that one year ago she had been busted for possession of drugs. Only her
wealthy and powerful family had been able to buy her out of that one: her
money and her charisma and fame hadn't worked when confrontation time with
the police came.
Heather had
been scarred a little by all that had overtaken her, but, he knew, she was
all right now. Like all sixes she had enormous recuperative ability. It
had been carefully built into each of them. Along with much, much else.
Even he, at forty-two years, didn't know them all. And a lot had happened
to him, too. Mostly in the form of dead bodies, the remains of other
entertainers he had trampled on his long climb to the top .
"These
'flashy' ties -" he began, but then the skyfly's phone rang. He took it,
said hello. Probably it was AI Bliss with the ratings on tonight's show.
But it was
not. A girl's voice came to him, penetrating sharply, stridently into his
ear. "Jason?" the girl said loudly.
"Yeah," he
said. Cupping the mouthpiece of the phone he said to Heather, "It's
Marilyn Mason. Why the hell did I give her my skyfly number?"
"Who the
hell is Marilyn Mason?" Heather asked.
"I'll tell
you later. " He uncupped the phone. "Yes, dear; this is Jason for real, in
the true reincarnated flesh. What is it? You sound terrible. Are they
evicting you again?" He winked at Heather and grinned wryly.
"Get rid of
her," Heather said.
Again
cupping the mouthpiece of the phone he said to her, "I will; I'm trying
to; can't you see?" Into the phone he said, "Okay, Marilyn. Spill your
guts out to me; that's what I'm for."
For two
years Marilyn Mason had been his protegee, so to speak. Anyhow, she wanted
to be a singer - be famous, rich, loved-like him. One day she had come
wandering into the studio, during rehearsal, and he had taken notice of
her. Tight little worried face, short legs, skirt far too short - he had,
as was his practice, taken it all in at first glance. And, a week later,
he had arranged for an audition for her with Columbia Records, their
artists and repertoire chief.
A lot had
gone on in that week, but it hadn't had anything to do with singing.
Marilyn said
shrilly into his ear, "I have to see you. Otherwise I'll kill myself and
the guilt will be on you. For the rest of your life. And I'll tell that
Heather Hart woman about us sleeping together all the time."
Inwardly he
sighed. Hell, he was tired already, worn out by his hour-long show during
which it was smile, smile, smile. "I'm on my way to Switzerland for the
rest of tonight," he said firmly, as if speaking to a hysterical child.
Usually, when Marilyn was in one of her accusatory, quasi- paranoid moods
it worked. But not this time, naturally.
"It'll take
you five minutes to get over here in that million-dollar Rolls skyfly of
yours," Marilyn dinned in his ear. "I just want to talk to you for five
seconds. I have something very important to tell you."
She's
probably pregnant, Jason said to himself. Somewhere along the line she
intentionally - or maybe unintentionally - forgot to take her pill.
"What can
you tell me in five seconds that I don't already know?" he said sharply.
"Tell me now."
"I want you
here with me," Marilyn said, with her customary total lack of
consideration. "You must come. I haven't seen you in six months and during
that time I've done a lot of thinking about us. And in particular about
that last audition."
"Okay," he
said, feeling bitter and resentful. This was what he got for trying to
manufacture for her - a no-talent - a career. He hung up the phone
noisily, turned to Heather and said, "I'm glad you never ran into her;
she's really a -"
"Bullshit,"
Heather said. "I didn't 'run into her' because you made damn sure you saw
to that."
"Anyhow," he
said, as he made a right turn for the skyfly, "I got her not one but two
auditions, and she snurfled them both. And to keep her self-respect she's
got to blame it on me. I somehow herded her into failing. You see the
picture."
"Does she
have nice boobs?" Heather said.
"Actually,
yes." He grinned and Heather laughed. "You know my weakness. But I did my
part of the bargain; I got her an audition - two auditions. The last one
was six months ago and I know goddamn well she's still smoldering and
brooding over it. I wonder what she wants to tell me."
He punched
the control module to set up an automatic course for Marilyn's apartment
building with its small but adequate roof field.
***
"She's
probably in love with you," Heather said, as he parked the skyfly on its
tail, releasing then the descent stairs.
"Like forty
million others," Jason said genially.
Heather,
making herself comfortable in the bucket seat of the skyfly said, "Don't
be gone very long or so help me I'm taking off without you."
"Leaving me
stuck with Marilyn?" he said. They both laughed. "I'll be right back." He
crossed the field to the elevator, pressed the button.
When he
entered Marilyn's apartment he saw, at once, that she was out of her mind.
Her entire face had pinched and constricted; her body so retracted that it
looked as if she were trying to ingest herself. And her eyes. Very
few things around or about women made him uneasy, but this did. Her eyes,
completely round, with huge pupils, bored at him as she stood silently
facing him, her arms folded, everything about her unyielding and iron
rigid.
"Start
talking," Jason said, feeling around for the handle of the advantage.
Usually - in fact virtually always - he could control a situation that
involved a woman; it was, in point of fact, his specialty. But this ... he
felt uncomfortable. And still she said nothing. Her face, under layers of
makeup, had become completely bloodless, as if she were an animated
corpse. "You want another audition?" Jason asked. "Is that it?"
Marilyn
shook her head no.
"Okay; tell
me what it is," he said wearily but uneasily. He kept the unease out of
his voice, however; he was far too shrewd, far too experienced, to let her
hear his uncertainty. In a confrontation with a woman it ran nearly ninety
per cent bluff, on both sides. It all lay in how you did it, not what you
did.
"I have
something for you," Marilyn turned, walked off out of sight into the
kitchen. He strolled after her.
"You still
blame me for the lack of success of both -" he began.
"Here you
are," Marilyn said. She lifted up a plastic bag from the drainboard, stood
holding it a moment, her face still bloodless and stark, her eyes jutting
and unblinking, and then she yanked the bag open, swung it, moved swiftly
up to him.
It happened
too fast. He backed away out of instinct, but too slowly and too late. The
gelatinlike Callisto cuddle sponge with its fifty feeding tubes clung to
him, anchored itself to his chest. Already he felt the feeding tubes dig
into him, into his chest.
He leaped to
the overhead kitchen cabinets, grabbed out a half-filled bottle of scotch,
unscrewed the lid with flying fingers, and poured the scotch onto the
gelatinlike creature. His thoughts had become lucid, even brilliant; he
did not panic, but stood there pouring the scotch onto the thing.
For a moment
nothing happened. He still managed to hold himself together and not flee
into panic. And then the thing bubbled, shriveled, fell from his chest
onto the floor. It had died.
Feeling
weak, he seated himself at the kitchen table. Now he found himself
fighting off unconsciousness; some of the feeding tubes remained inside
him, and they were still alive. "Not bad," he managed to say. "You almost
got me, you fucking little tramp."
"Not
almost," Marilyn Mason said flatly, emotionlessly. "Some of the feeding
tubes are still in you and you know it; I can see it on your face. And a
bottle of scotch isn't going to get them out. Nothing is going to get them
out."
At that
point he fainted. Dimly, he saw the green-and-gray floor rise to take him
and then there was emptiness. A void without even himself in it.
***
Pain. He
opened his eyes, reflexively touched his chest. His hand-tailored silk
suit had vanished; he wore a cotton hospital robe and he was lying flat on
a gurney. "God," he said thickly as the two staff men wheeled the gurney
rapidly up the hospital corridor.
Heather Hart
hovered over him, anxious and in shock, but, like him, she retained full
possession of her senses. "I knew something was wrong," she said rapidly
as the staff men wheeled him into a room. "I didn't wait for you in the
skyfly; I came down after you."
"You
probably thought we were in bed together," he said weakly.
"The doctor
said," Heather said, "that in another fifteen seconds you would have
succumbed to the somatic violation , as he calls it. The entrance of that
thing into you."
"I got the
thing," he said. "But I didn't get all the feeding tubes. It was too
late."
"I know,"
Heather said. "The doctor told me. They're planning surgery for as soon as
possible; they may be able to do something if the tubes haven't penetrated
too far."
"I was good
in the crisis," Jason grated; he shut his eyes and endured the pain. "But
not quite good enough. Just not quite." Opening his eyes, he saw that
Heather was crying. "Is it that bad?" he asked her; reaching up he took
hold of her hand. He felt the pressure of her love as she squeezed his
fingers, and then there was nothing. Except the pain. But nothing else, no
Heather, no hospital, no staff men, no light. And no sound. It was an
eternal moment and it absorbed him completely.
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