|
THIRTEEN
Like an arc of pure fire, John R. Isidore soared
across the late-afternoon sky on his way home from his
job. I wonder if she's still there, he said to himself.
Down in that kipple-infested old apt, watching Buster
Friendly on her TV set and quaking with fear every time
she imagines someone coming down the hall. Including,
I suppose, me.
He had already stopped off at a blackmarket grocery
store. On the seat beside him a bag of such delicacies as
bean curd, ripe peaches, good soft evil-smelling cheese
rocked back and forth as he alternately speeded up and
slowed down his car; being tense, tonight, he drove
somewhat erratically. And his allegedly repaired car
coughed and floundered, as it had been doing for
months prior to overhaul. Rats, Isidore said to himself.
The smell of peaches and cheese eddied about the
car, filling his nose with pleasure. All rarities, for which
he had squandered two weeks' salary-borrowed in advance from Mr. Sloat. And, in addition, under the car
seat where it could not roll and break, a bottle of Chablis wine knocked back and forth: the greatest rarity of all. He had been keeping it in a safety deposit box
at the Bank of America, hanging onto it and not selling it no matter how much they offered, in case at some
long, late, last moment a girl appeared. That had not
happened, not until now.
The rubbish-littered, lifeless roof of his apartment
building as always depressed him. Passing from his car
to the elevator door he damped down his peripheral
vision; he concentrated on the valuable bag and bottle
which he carried, making certain that he tripped over
no trash and took no ignominious pratfall to economic
doom. When the elevator creakily arrived he rode it -- not to his own
floor -- but to the lower level on which
the new tenant, Pris Stratton, now lived. Presently he
stood in front of her door, rapping with the edge of the
wine bottle, his heart going to pieces inside his chest.
"Who's there?" Her voice, muffled by the door and
yet clear. A frightened, but blade-sharp tone.
"This is J. R. Isidore speaking," he said briskly,
adopting the new authority which he had so recently
acquired via Mr. Sloat's vidphone. "I have a few desirable items here and I think we can put together a
more than reasonable dinner."
The door, to a limited extent, opened; Pris, no lights
on in the room behind her, peered out into the dim hall.
"You sound different," she said. "More grown up."
"I had a few routine matters to deal with during
business hours today. The usual. If you c-c-could let me
in --"
"You'd talk about them." However, she held the
door open wide enough for him to enter. And then,
seeing what he carried, she exclaimed; her face ignited
with elfin, exuberant glee. But almost at once, without
warning, a lethal bitterness crossed her features, set
concrete-like in place. The glee had gone.
"What is it?" he said; he carried the packages and
bottle to the kitchen, set them down and hurried back.
Tonelessly, Pris said, "They're wasted on me."
"Why?"
"Oh ..." She shrugged, walking aimlessly
away, her
hands in the pockets of her heavy, rather old-fashioned
skirt. "Sometime I'll tell you." She raised her eyes,
then. "It was nice of you anyhow. Now I wish you'd
leave. I don't feel like seeing anyone." In a vague fashion she moved toward the door to the hall; her steps
dragged and she seemed depleted, her store of energy
fading almost out.
"I know what's the matter with you," he said.
"Oh?" Her voice, as she reopened the hall door,
dropped even further into uselessness, listless and barren.
"You don't have any friends. You're a lot worse than
when I saw you this morning; it's because --"
"I have friends." Sudden authority stiffened her voice;
she palpably regained vigor. "Or I had. Seven of them.
That was to start with but now the bounty hunters have
had time to get to work. So some of them -- maybe all of
them -- are dead." She wandered toward the window,
gazed out at the blackness and the few lights here and
there. "I may be the only one of the eight of us left. So
maybe you're right."
"What's a bounty hunter?"
"That's right. You people aren't supposed to know.
A bounty hunter is a professional murderer who's given
a list of those he's supposed to kill. He's paid a sum -- a
thousand dollars is the going rate, I understand -- for
each he gets. Usually he has a contract with a city so he
draws a salary as well. But they keep that low so he'll
have incentive."
"Are you sure?" Isidore asked.
"Yes." She nodded. "You mean am I sure he has
Incentive? Yes, he has incentive. He enjoys it."
"I think," Isidore said, "you're mistaken." Never in
his life had he heard of such a thing. Buster Friendly, for instance, had never mentioned it. "It's not in accord
with present-day Mercerian ethics," he pointed out.
"All life is one; 'no man is an island,' as Shakespeare
said in olden times."
"John Donne."
Isidore gestured in agitation. "That's worse than anything I ever heard of. Can't you call the police?"
"No."
"And they're after you? They're apt to come here
and kill you?" He understood, now, why the girl acted
in so secretive a fashion. "No wonder you're scared and
don't want to see anybody." But he thought, It must be
a delusion. She must be psychotic. With delusions of
persecution. Maybe from brain damage due to the dust;
maybe she's a special. "I'll get them first," he said.
"With what?" Faintly, she smiled; she showed her
small, even, white teeth.
"I'll get a license to carry a laser beam. It's easy to
get, out here where there's hardly anybody; the police
don't patrol -- you're expected to watch out for yourself."
"How about when you're at work?"
"I'll take a leave of absence!"
Pris said, "That's very nice of you, J. R. Isidore. But
if bounty hunters got the others, got Max Polokov and
Garland and Luba and Hasking and Roy Baty --" She
broke off. "Roy and Irmgard Baty. If they're dead then
it really doesn't matter. They're my best friends. Why
the hell don't 1 hear from them, I wonder?" She cursed,
angrily.
Making his way into the kitchen he got down dusty,
long unused plates and bowls and glasses; he began
washing them in the sink, running the rusty hot water
until it cleared at last. Presently Pris appeared, seated
herself at the table. He uncorked the bottle of Chablis,
divided the peaches and the cheese and the bean curd.
"What's that white stuff? Not the cheese." She
pointed.
"Made from soy bean whey. I wish I had
some --"
He broke off, flushing. "It used to be eaten with beef
gravy."
"An android," Pris murmured. "That's the sort of
slip an android makes. That's what gives it away." She
came over, stood beside him, and then to his stunned
surprise put her arm around his waist and for an instant
pressed against him. "I'll try a slice of peach," she said,
and gingerly picked out a slippery pink-orange furry
slice with her long fingers. And then, as she ate the slice
of peach, she began to cry. Cold tears descended her
cheeks, splashed on the bosom of her dress. He did not
know what to do, so he continued dividing the food.
"Goddamn it," she said, furiously. "Well --" She
moved away from him, paced slowly, with measured
steps, about the room. "-- see, we lived on Mars. That's
how come I know androids." Her voice shook but she
managed to continue; obviously it meant a great deal to
her to have someone to talk to.
"And the only people on Earth that you know," Isidore said, "are your fellow ex-emigrants."
"We knew each other before the trip. A settlement
near New New York. Roy Baty and Irmgard ran a
drugstore; he was a pharmacist and she handled the
beauty aids, the creams and ointments; on Mars they
use a lot of skin conditioners. I --" She hesitated. "I got
various drugs from Roy -- I needed them at first because -- well, anyhow, it's an awful place. This"
-- she
swept in the room, the apartment, in one violent gesture -- "this is nothing. You think I'm suffering because I'm
lonely. Hell, all Mars is lonely. Much worse than this."
"Don't the androids keep you company? I heard a
commercial on --" Seating himself he ate, and presently
she too picked up the glass of wine; she sipped expressionlessly. "I understood that the androids helped."
"The androids," she said, "are lonely, too."
"Do you like the wine?"
She set down her glass. "It's fine."
"It's the only bottle I've seen in three years."
"We came back," Pris said, "because nobody should
have to live there. It wasn't conceived for habitation, at
least not within the last billion years. It's so old. You
feel it in the stones, the terrible old age. Anyhow, at
first I got drugs from Roy; I lived for that new synthetic
pain-killer, that silenizine. And then I met Horst Hartman, who at that time ran a stamp store, rare postage
stamps; there's so much time on your hands that you've
got to have a hobby, something you can pore over endlessly. And Horst got me interested in pre-colonial fiction."
"You mean old books?"
"Stories written before space travel but about space
travel."
"How could there have been stories about space
travel before --"
"The writers," Pris said, "made it up."
"Based on what?"
"On imagination. A lot of times they turned out
wrong. For example they wrote about Venus being a
jungle paradise with huge monsters and women in
breastplates that glistened." She eyed him. "Does that
interest you? Big women with long braided blond hair
and gleaming breastplates the size of melons?"
"No," he said.
"Irmgard is blond," Pris said. "But small. Anyhow,
there's a fortune to be made in smuggling pre-colonial
fiction, the old magazines and books and films, to Mars.
Nothing is as exciting. To read about cities and huge
industrial enterprises, and really successful colonization. You can imagine what it might have been like.
What Mars ought to be like. Canals."
"Canals?" Dimly, he remembered reading about
that; in the olden days they had believed in canals on
Mars.
"Crisscrossing the planet," Pris said.
"And beings
from other stars. With infinite wisdom. And stories
about Earth, set in our time and even later. Where
there's no radioactive dust."
"I would think," Isidore said, "it would make you
feel worse."
"It doesn't," Pris said curtly.
"Did you bring any of that pre-colonial reading material back with you?" It occurred to him that he ought
to try some.
"It's worthless, here, because here on Earth the craze
never caught on. Anyhow there's plenty here, in the
libraries; that's where we get all of ours- -- stolen from
libraries here on Earth and shot by autorocket to Mars.
You're out at night bumbling across the open space,
and all of a sudden you see a flare, and there's a rocket,
cracked open, with old pre-colonial fiction magazines
spilling out everywhere. A fortune. But of course you
read them before you sell them." She warmed to her
topic. "Of all --"
A knock sounded on the hall door.
Ashen, Pris whispered, "I can't go. Don't make any
noise; just sit." She strained, listening. "I wonder if the
door's locked," she said almost inaudibly. "God, I hope so."
Her eyes, wild and powerful, fixed themselves beseechingly on him, as if praying to him to make it
true.
A far-off voice from the hall called, "Pris, are you in
there?" A man's voice. "It's Roy and Irmgard. We got
your card."
Rising and going into the bedroom, Pris reappeared
carrying a pen and scrap of paper; she reseated herself, xcratched out a hasty message.
YOU GO TO THE DOOR.
Isidore, nervously, took the pen from her and wrote:
AND SAY WHAT?
With anger, Pris scratched out:
SEE IF IT'S REALLY THEM.
Getting up, he walked glumly into the living room.
How would I know if it was them? he inquired of himself. He opened the door.
Two people stood in the dim hall, a small woman,
lovely in the manner of Greta Garbo, with blue eyes
and yellow-blond hair; the man larger, with intelligent
eyes but flat, Mongolian features which gave him a
brutal look. The woman wore a fashionable wrap, high
shiny boots, and tapered pants; the man lounged in a
rumpled shirt and stained trousers, giving an air of almost deliberate vulgarity. He smiled at Isidore but his
bright, small eyes remained oblique.
"We're looking --" the small blond woman began,
but then she saw past Isidore; her face dissolved in
rapture and she whisked past him, calling. "Pris! How
are you?" Isidore turned. The two women were embracing. He stepped aside, and Roy Baty entered, somber and large, smiling his crooked, tuneless smile.
Go to Next Page |