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THE PICTORIAL LANGUAGE OF HIERONYMUS BOSCH |
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Illustrations 133. Probably the seal of a Hittite priest-king
Fig. 133. Probably the seal of a Hittite priest-king.
Fig. 134. The sea-hare. Capital in the church of Dorlisheim (Alsace). I t is an imaginative picture of the ego which is still partially living in the soul world (the water) i.e. has not yet become terrestrial.
Fig. 135. Hares. See ref. 4. 136. Madonna with the hare, Tungental
Fig. 136. Madonna with the Hare. Tungental.
Fig. 137. Hares. Symbolic language in the cathedral of Paderborn. The collaboration of three human individualities. 138. Mary and Jesus Child with a rabbit
Fig. 138. White rabbit with Mary and the Jesus Child. The Munster Freiburg 1515, also a cross with roses and two goldfinches (see text). 139. TITIAN: Mary with the Jesus Child with a rabbit
Fig. 139. TITIAN. Mary with the Jesus Child. Paris, Musee du Louvre. 140. The Initiation (Two Conjurers) from Moralia in Job (12th century)
Fig. 140. The Initiation [xiii]. Quoted in "Apes and ape-lore". H. W. JANSON [33] Natural man, who still bears an ape-like creature on (in) his head, as a sign that the ape still dwells in his imaginative life, is initiated by a "great" initiate. The ape must vanish, the white hare is leaping towards him. By kind permission of the conservateur Bibliotheque Publique de Dijon. 141. MONTE DI GIOVANNI AND HIS STUDIO: Christ calling upon Simon Peter and Andrew to follow Him
Fig. 141. Christ calling upon Simon Peter and Andrew to follow Him. MONTE DI GIOVANNI and his studio. From a psalter Fol. 2 verso. Cod. -- no number Florence. Library of the old convent S. Marco. Plate M. MASTER OF THE CARNATION OF BADEN: The Visitation
Plate M. MASTER OF THE CARNATION OF BADEN. The Visitation. Meeting of Mary (L) and Elizabeth (R) Dijon, Musee (Ancien Palais des Ducs de Bourgogne). See Note 14. 142. JAN STEEN: "In Welde Ziet Toe" (in the midst of plenty beware)
Fig. 142. JAN STEEN: "In Weelde Ziet Toe" (in the midst of plenty beware!). Vienna. Kunsthistorisches Museum, Note duck on the shoulder of the schoolmaster. 143. HIERONYMUS BOSCH: The Temptations of St. Anthony, in private ownership
Fig. 143. HIERONYMUS BOSCH: The Temptations of St. Anthony. The picture found in Zurich which consists only of the central panel. 144. HIERONYMUS BOSCH: x-ray of the signature in Fig. 143
Fig. 144. HIERONYMUS BOSCH: Signature. X-ray enlargement of the Zurich painting. 145. Detail of the signature area of Figure 143
Fig. 145. HIERONYMUS BOSCH: Signature. See Introduction and Note 19 on the discovery of the Zurich picture. 146. ERASMUS GRASSER: "Statuette"
Fig. 146. Statuette by ERASMUS GRASSER. A Morija dancer with the bandage of dedication at his knee. Munich, Munchener Stadtmuseum.
Fig. 147. Statuette by ERASMUS GRASSER. Morija dancer with bandage of dedication over the hips. Munich, Munchener Stadtmuseum.
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