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Chapter 7: BEING INACCESSIBLE
Thursday, June 29, 1961
Again don Juan, as he had done every
day for nearly a week, held me spellbound with his knowledge of specific
details about the behavior of game. He first explained and then
corroborated a number of hunting tactics based on what he called "the
quirks of quails." I became so utterly involved in his explanations that a
whole day went by and I had not noticed the passage of time. I even forgot
to eat lunch. Don Juan made joking remarks that it was quite unusual for
me to miss a meal.
By the end of the day he had caught
five quail in a most ingenious trap, which he had taught me to assemble
and set up.
"Two are enough for us," he said and
let three of them loose.
He then taught me how to roast quail.
I had wanted to cut some shrubs and make a barbecue pit, the way my
grandfather used to make it, lined with green branches and leaves and
sealed with dirt, but don Juan said that there was no need to injure the
shrubs, since we had already injured the quail.
After we finished eating we walked
very leisurely towards a rocky area. We sat on a sandstone hillside and I
said jokingly that if he would have left the matter up to me I would have
cooked all five of the quail, and that my barbecue would have tasted much
better than his roast.
"No doubt," he said. "But if you would
have done all that, we might have never left this place in one piece."
"What do you mean?" 1 asked. "What
would have prevented us?"
"The shrubs, the quail, everything
around would have pitched in."
"I never know when you are talking
seriously," I said. He made a gesture of feigned impatience and smacked
his lips.
"You have a weird notion of what it
means to talk seriously," he said. "I laugh a great deal because I like to
laugh, yet everything I say is deadly serious, even if you don't
understand it. Why should the world be only as you think it is? Who gave
you the authority to say so?"
"There is no proof that the world is
otherwise," I said.
It was getting dark. I was wondering
if it was time to go back to his house, but he did not seem to be in a
hurry and I was enjoying myself.
The wind was cold. Suddenly he stood
up and told me that we had to climb to the hilltop and stand up on an area
clear of shrubs.
"Don't be afraid," he said. "I'm your
friend and I'll see that nothing bad happens to you."
"What do you mean?" I asked, alarmed.
Don Juan had the most insidious
facility to shift me from sheer enjoyment to sheer fright.
"The world is very strange at this
time of the day," he said. "That's what I mean. No matter what you see,
don't be afraid."
"What am I going to see?"
"I don't know yet," he said, peering
into the distance towards the south.
He did not seem to be worried. I also
kept on looking in the same direction.
Suddenly he perked up and pointed with
his left hand towards a dark area in the desert shrubbery.
"There it is," he said, as if he had
been waiting for something which had suddenly appeared.
"What is it?" I asked.
"There it is," he repeated. "Look!
Look!"
I did not see anything; just the
shrubs.
"It is here now," he said with great
urgency in his voice. "It is here."
A sudden gust of wind hit me at that
instant and made my eyes burn. I stared towards the area in question.
There was absolutely nothing out of the ordinary.
"I can't see a thing," I said.
"You just felt it," he replied. "Right
now. It got into your eyes and kept you from seeing."
"What are you talking about?"
"I have deliberately brought you to a
hilltop,"', he said. "We are very noticeable here and something is coming
to us."
"What? The wind?"
"Not just the wind," he said sternly.
"It may seem to be wind to you, because wind is all you know."
I strained my eyes staring into the
desert shrubs. Don Juan stood silently by me for a moment and then walked
into the nearby chaparral and began to tear some big branches from the
surrounding shrubs; he gathered eight of them and made a bundle. He
ordered me to do the same and to apologize to the plants in a loud voice
for mutilating them.
When we had two bundles he made me run
with them to the hilltop and lie down on my back between two large rocks.
With tremendous speed he arranged the branches of my bundle to cover my
entire body, then he covered himself in the same manner and whispered
through the leaves that I should watch how the so-called wind would cease
to blow once we had become unnoticeable.
At one moment, to my utter amazement,
the wind actually ceased to blow as don Juan had predicted. It happened so
gradually that I would have missed the change had I not been deliberately
waiting for it. For a while, the wind had hissed through the leaves over
my face and then gradually it became quiet all around us.
I whispered to don Juan that the wind
had stopped and he whispered back that I should not make any overt noise
or movement, because what I was calling the wind was not wind at all but
something that had a volition of its own and could actually recognize us.
I laughed out of nervousness.
In a muffled voice don Juan called my
attention to the quietness around us and whispered that he was going to
stand up and I should follow him, putting the branches aside very gently
with my left hand.
We stood up at the same time. Don Juan
stared for a moment into the distance towards the south and then turned
around abruptly and faced the west.
"Sneaky. Really sneaky," he muttered,
pointing to an area towards the southwest.
"Look! Look!" he urged me.
I stared with all the intensity I was
capable of. I wanted to see whatever he was referring to, but I did not
notice anything at all. Or rather I did not notice anything I had not seen
before; there were just shrubs which seemed to be agitated by a soft wind;
they rippled.
"It's here," don Juan said.
At that moment I felt a blast of air
in my face. It seemed that the wind had actually begun to blow after we
stood up. I could not believe it; there had to be a logical explanation
for it.
Don Juan chuckled softly and told me
not to tax my brain trying to reason it out.
"Let's go gather the shrubs once
more," he said. "I hate to do this to these little plants, but we must
stop you."
He picked up the branches we had used
to cover ourselves and piled small rocks and dirt over them. Then,
repeating the same movements we had made before, each of us gathered eight
new branches. In the meantime the wind kept on blowing ceaselessly. I
could feel it ruffling the hair around my ears. Don Juan whispered that
once he had covered me I should not make the slightest movement or sound.
He very quickly put the branches over my body and then he lay down and
covered himself.
We stayed in that position for about
twenty minutes and during that time a most extraordinary phenomenon
occurred; the wind again changed from a hard continuous gust to a mild
vibration.
I held my breath, waiting for don
Juan's signal. At a given moment he gently shoved off the branches. I did
the same and we stood up. The hilltop was very quiet. There was only a
slight, soft vibration of leaves in the surrounding chaparral.
Don Juan's eyes were fixedly staring
at an area in the shrubs south of us.
"There it is again!" he exclaimed in a
loud voice.
I involuntarily jumped, nearly losing
my balance, and he ordered me in a loud imperative voice to look.
"What am I supposed to see?" I asked
desperately.
He said that it, the wind or whatever,
was like a cloud or a whorl that was quite a ways above the shrubs,
twirling its way to the hilltop where we were.
I saw a ripple forming on the bushes
in the distance.
"There it comes," don Juan said in my
ear. "Look how it is searching for us."
Right then a strong steady gust of
wind hit my face, as it had hit it before. This time, however, my reaction
was different. I was terrified. I had not seen what don Juan had
described, but I had seen a most eerie wave rippling the shrubs. I did not
want to succumb to my fear and deliberately sought any kind of suitable
explanation. I said to myself that there must be continuous air currents
in the area, and don Juan, being thoroughly acquainted with the whole
region, was not only aware of that but was capable of mentally plotting
their occurrence. All he had to do was to lie down, count, and wait for
the wind to taper off; and once he stood up he had only to wait again for
its reoccurrence.
Don Juan's voice shook me out of my
mental deliberations. He was telling me that it was time to leave. I
stalled; I wanted to stay to make sure that the wind would taper off.
"I didn't see anything, don Juan," I
said.
"You noticed something unusual
though."
"Perhaps you should tell me again what
I was supposed to see."
"I've already told you," he said.
"Something that hides in the wind and looks like a whorl, a cloud, a mist,
a face that twirls around."
Don Juan made a gesture with his hands
to depict a horizontal and a vertical motion.
"It moves in a specific direction," he
went on. "It either tumbles or it twirls. A hunter must know all that in
order to move correctly."
I wanted to humor him, but he seemed
to be trying so hard to make his point that I did not dare. He looked at
me for a moment and I moved my eyes away.
"To believe that the world is only as
you think it is, is stupid," he said. "The world is a mysterious place.
Especially in the twilight."
He pointed towards the wind with a
movement of his chin.
"This can follow us," he said. "It can
make us tired or it might even kill us."
"That wind?"
"At this time of the day, in the
twilight, there is no wind. At this time there is only power."
We sat on the hilltop for an hour. The
wind blew hard and constantly all that time.
Friday, June 30, 1961
In the late afternoon, after eating,
don Juan and I moved to the area in front of his door. I sat on my "spot"
and began working on my notes. He lay down on his back with his hands
folded over his stomach. We had stayed around the house all day on account
of the "wind." Don Juan explained that we had disturbed the wind
deliberately and that it was better not to fool around with it. I had even
had to sleep covered with branches.
A sudden gust of wind made don Juan
get up in one incredibly agile jump.
"Damn it, " he said. "The wind is
looking for you."
"I can't buy that, don Juan," I said,
laughing. "I really can't."
I was not being stubborn, I just found
it impossible to endorse the idea that the wind had its own volition and
was looking for me, or that it had actually spotted us and rushed to us on
top of the hill. I said that the idea of a "willful wind" was a view of
the world that was rather simplistic.
"What is the wind then?" he asked in a
challenging tone.
I patiently explained to him that
masses of hot and cold air produced different pressures and that the
pressure made the masses of air move vertically and horizontally. It took
me a long while to explain all the details of basic meteorology.
"You mean that all there is to the
wind is hot and cold air?" he asked in a tone of bafflement.
"I'm afraid so," I said and silently
enjoyed my triumph.
Don Juan seemed to be dumbfounded. But
then he looked at me and began to laugh uproariously.
"Your opinions are final opinions," he
said with a note of sarcasm. "They are the last word, aren't they?! For a
hunter, however, your opinions are pure crap. It makes no difference
whether the pressure is one or two or ten; if you would live out here in
the wilderness you would know that during the twilight the wind becomes
power. A hunter that is worth his salt knows that, and acts accordingly."
"How does he act?"
"He uses the twilight and that power
hidden in the wind."
"How?"
"If it is convenient to him, the
hunter hides from the power by covering himself and remaining motionless
until the twilight is gone and the power has sealed him into its
protection."
Don Juan made a gesture of enveloping
something with his hands.
"Its protection is like a ..."
He paused in search of a word and I
suggested "cocoon."
"That is right," he said. "The
protection of the power seals you like in a cocoon. A hunter can stay out
in the open and no puma or coyote or slimy bug could bother him. A
mountain lion could come up to the hunter's nose and sniff him, and if the
hunter does not move, the lion would leave. I can guarantee you that.
"If the hunter, on the other hand,
wants to be noticed all he has to do is to stand on a hilltop at the time
of the twilight and the power will nag him and seek him all night.
Therefore, if a hunter wants to travel at night or if he wants to be kept
awake he must make himself available to the wind.
"Therein lies the secret of great
hunters. To be available and unavailable at the precise turn of the road."
I felt a bit confused and asked him to
recapitulate his point. Don Juan very patiently explained that he had used
the twilight and the wind to point out the crucial importance of the
interplay between hiding and showing oneself.
"You must learn to become deliberately
available and unavailable," he said. "As your life goes now, you are
unwittingly available at all times."
I protested. My feeling was that my
life was becoming increasingly more and more secretive. He said I had not
understood his point, and that to be unavailable did not mean to hide or
to be secretive but to be inaccessible.
"Let me put it in another way," he
proceeded patiently. "It makes no difference to hide if everyone knows
that you are hiding.
"Your problems right now stem from
that. When you are hiding, everyone knows that you are hiding, and when
you are not, you are available for everyone to take a poke at you. "
I was beginning to feel threatened and
hurriedly tried to defend myself.
"Don't explain yourself," don Juan
said dryly. "There is no need. We are fools, all of us, and you cannot be
different. At one time in my life I, like you, made myself available over
and over again until there was nothing of me left for anything except
perhaps crying. And that I did, just like yourself."
Don Juan sized me up for a moment and
then sighed loudly.
"I was younger than you, though," he
went on, "but one day I had enough and I changed. Let's say that one day,
when I was becoming a hunter, I learned the secret of being available and
unavailable."
I told him that his point was
bypassing me. I truly could not understand what he meant by being
available. He had used the Spanish idioms "ponerse al alcance" and "ponerse
en el medio del camino," to put oneself within reach, and to put oneself
in the middle of a trafficked way.
"You must take yourself away," he
explained. "You must retrieve yourself from the middle of a trafficked
way. Your whole being is there, thus it is of no use to hide; you would
only imagine that you are hidden. Being in the middle of the road means
that everyone passing by watches your comings and goings."
His metaphor was interesting, but at
the same time it was also obscure.
"You are talking in riddles," I said.
He stared at me fixedly for a long
moment and then began to hum a tune. I straightened my back and sat
attentively. I knew that when don Juan hummed a Mexican tune he was about
to clobber me.
"Hey," he said, smiling, and peered at
me. "Whatever happened to your blond friend? That girl that you used to
really like."
I must have looked at him like a
confounded idiot. He laughed with great delight. I did not know what to
say.
"You told me about her," he said
reassuringly.
But I did not remember ever telling
him about anybody, much less about a blond girl.
"I've never mentioned anything like
that to you," I said.
"Of course you have," he said as if
dismissing the argument.
I wanted to protest, but he stopped
me, saying that it did not matter how he knew about her, that the
important issue was that I had liked her.
I sensed a surge of animosity towards
him building up within myself.
"Don't stall," don Juan said dryly.
"This is a time when you should cut off your feelings of importance.
"You once had a woman, a very dear
woman, and then one day you lost her."
I began to wonder if I had ever talked
about her to don Juan. I concluded that there had never been an
opportunity. Yet I might have. Every time he drove with me we had always
talked incessantly about everything. I did not remember everything we had
talked about because I could not take notes while driving. I felt somehow
appeased by my conclusions. I told him that he was right. There had been a
very important blond girl in my life.
"Why isn't she with you?" he asked.
"She left."
"Why?"
"There were many reasons."
"There were not so many reasons. There
was only one. You made yourself too available."
I earnestly wanted to know what he
meant. He again had touched me. He seemed to be cognizant of the effect of
his touch and puckered up his lips to hide a mischievous smile.
"Everyone knew about you two," he said
with unshaken conviction.
"Was it wrong?"
"It was deadly wrong. She was a fine
person."
I expressed the sincere feeling that
his fishing in the dark was odious to me, especially the fact that he
always made his statements with the assurance of someone who had been at
the scene and had seen it all.
"But that's true," he said with a
disarming candor. "I have seen it all. She was a fine person."
I knew that it was meaningless to
argue, but I was angry with him for touching that sore spot in my life and
I said that the girl in question was not such a fine person after all,
that in my opinion she was rather weak.
"So are you," he said calmly. "But
that is not important. What counts is that you have looked for her
everywhere; that makes her a special person in your world, and for a
special person one should have only fine words."
I felt embarrassed; a great sadness
had begun to engulf me.
"What are you doing to me, don Juan?"
I asked. "You always succeed in making me sad. Why?"
"You are now indulging in
sentimentality," he said accusingly.
"What is the point of all this, don
Juan?"
"Being inaccessible is the point," he
declared. "I brought up the memory of this person only as a means to show
you directly what I couldn't show you with the wind.
"You lost her because you were
accessible; you were always within her reach and your life was a routine
one."
"No!" I said. "You're wrong. My life
was never a routine.
"It was and it is a routine," he said
dogmatically. "It is an unusual routine and that gives you the impression
that it is not a routine, but I assure you it is."
I wanted to sulk and get lost in
moroseness, but somehow his eyes made me feel restless; they seemed to
push me on and on.
"The art of a hunter is to become
inaccessible," he said. "In the case of that blond girl it would've meant
that you had to become a hunter and meet her sparingly. Not the way you
did. You stayed with her day after day, until the only feeling that
remained was boredom. True?"
I did not answer. I felt I did not
have to. He was right.
"To be inaccessible means that you
touch the world around you sparingly. You don't eat five quail; you eat
one. You don't damage the plants just to make a barbecue pit. You don't
expose yourself to the power of the wind unless it is mandatory. You don't
use and squeeze people until they have shriveled to nothing, especially
the people you love."
"I have never used anyone," I said
sincerely.
But don Juan maintained that I had,
and thus I could bluntly state that I became tired and bored with people.
"To be unavailable means that you
deliberately avoid exhausting yourself and others," he continued. "It
means that you are not hungry and desperate, like the poor bastard that
feels he will never eat again and devours all the food he can, all five
quail!"
Don Juan was definitely hitting me
below the belt. I ] laughed and that seemed to please him. He touched my
back lightly.
"A hunter knows he will lure game into
his traps over and over again, so he doesn't worry. To worry is to become
accessible, unwittingly accessible. And once you worry you cling to
anything out of desperation; and once you cling you are bound to get
exhausted or to exhaust whoever or whatever you are clinging to."
I told him that in my day-to-day life
it was inconceivable to be inaccessible. My point was that in order to
function I had to be within reach of everyone that had something to do
with me.
"I've told you already that to be
inaccessible does not mean to hide or to be secretive," he said calmly.
"It doesn't mean that you cannot deal with people either. A hunter uses
his world sparingly and with tenderness, regardless of whether the world
might be things, or plants, or animal, or people, or power. A hunter deals
intimately with his world and yet he is inaccessible to that same world."
"That's a contradiction," I said. "He
cannot be inaccessible if he is there in his world, hour after hour, day
after day."
"You did not understand," don Juan
said patiently. "He is inaccessible because he's not squeezing his world
out of shape. He taps it lightly, stays for as long as he needs to, and
then swiftly moves away leaving hardly a mark."
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